Of course every civilization adds their own spin, altering the aesthetic of the story to suit their time and culture. The monomyth has been used to explain stories as ancient as The Odyssey and as recent as Lord of the Rings and Jaws. For authors this is great news, since it means they already know exactly what kind of stories readers are desperate to get their hands on. Both stories tell the tale of a young prince whose father is killed by a jealous uncle keen to seize the throne. Simba and Hamlet both leave their homes and childhood loves, bound on a maturing trip with friends who are more interested in their childish sides.
Eventually they return, slaying their murderous uncles at the ghostly behest of their fathers. Of course not; Disney merely identified a powerful story and made it their own. To say that The Lion King is Hamlet is to misunderstand the substance of both stories. The Lion King adds humor, romance and music to Hamlet , and uses the story beats of a Shakespearian tragedy to create a comedy for children. More than that, they can use their appreciation for earlier versions of the story to write a hit. To make powerful structures work for you, you have to understand how they work.
Own your write folktale to how
One of the best examples of this process can be found in the comics industry, specifically in the superhero Spider-Man. Characters such as Spider-Man possess their own mythic qualities in comic continuity, in that they are constantly shifting around a unique and permanent set of criteria. Marvel comics, who own the rights to Spider-Man, work on a shifting timeline. As a consequence, stories are constantly being retroactively altered to fit in with the new past; characters who previously fought in Vietnam, for example, are now veterans of the war in Iraq. This leaves superheroes like Spider-Man with few consistent features beyond their personalities and key events in their exploits.
The most important event in most superhero stories is their origin. This is generally the story of how they developed their powers, but also creates or defines their worldview. Initially reveling in his new powers, Spider-Man is cheated out of money by a wrestling promoter and subsequently ignores their pleas to stop a thief escaping with the cashbox. Returning home, Spider-Man is shocked to discover that the thief went on to kill his elderly uncle who, along with his aunt, had raised him after the death of his parents.
Spider-Man is left with the twin duties of atoning for his selfishness and never burdening his loved ones with the secret of his exploits. Variations of this story have been told time and time again, each time with a different author adding their own perspective. Whether retold in comic, movie or television form, the story has seen as many iterations as any classic.
Write Your Own Folktale : Natalie Myra Rosinsky :
Consequently this story offers a great case study for what happens to a story over multiple iterations. Instead he argues with his uncle, who leaves and is consequently involved in a robbery. Spider-Man: The Animated Series took Parker out of high school, making him a young adult who works as a freelance photographer. Procedures Once groups have completed their written plans, check them; make sure all have an active part and a chance to express their creativity.
Instruct students to begin rewriting. By the end of the class period groups should have completed a rough draft of their new story. If time permits allow them to type up the stories and save on a computer. Each member of the group should be given one or two parts of the story to illustrate at home. Students can draw, paint, and cut out photos, magazine pictures or whatever they like. This can be done in class or at home. Have groups share their story with the class.
You can even have them vote on the most creative rewrite. You are also trying to step out of reach of the long arm of the law—the copyright law, that is. Many people believe that folktales cannot be copyrighted.
By Aaron Shepard
For instance, the author is likely to have named a character, created dialog, or modified a plot incident. To avoid problems, then, work with at least one version that is no longer in copyright and that you can use as your primary source. In the United States, though, copyright has changed greatly over time, making the situation much more complex.
Here are the basics for works originally published in the United States. Note: This information is based on U. For confirmation, details, and updates, visit the U. Copyright Office online, at www. In the U. Later period. After that, determining their status may mean first figuring out if the author is still alive, and if not, then the date of death—all of which may be hard or impossible to find for all but the most prominent authors. Early period. Fair game. Free and clear. And so on until , when all works published before will have fallen out of copyright.
Middle period. Actually, for works first copyrighted from on, that renewal was later made automatic—but for earlier copyrights, the publisher or author would have had to re-register on their own. For many such works, the only way to check for a renewal is to conduct a copyright search.
You can start with the copyright records information section of The Online Books Page, at digital. Of course, whatever country you live in, its copyright laws will apply to any works written and first published there. But what if a work comes from another country?